Tone, Voice, and Style
- Speaker/Narrator's attitude toward the present subject/moment/events
- Described in terms of emotion
- An effect created by author's choices in techniques (diction, figurative language, syntax, etc.)
Voice: Speaker/narrator's voice
- Speaker/Narrator's personality toward life/the world in general...can change if the character is "dynamic" but doesn't change often
- Described in terms of character
- An effect created by author's choices in techniques
Style: The "voice of the author"...author's way of expressing his/herself
- Author's "written" personality (made up artificial persona's stance)
- Described in terms of character
- Tends to vary from story to story
- Talked about in a more academic method
Chapters 15 and 16 in the Perrine Book
Three questions must be considered when judging a poem:
- What is its central purpose?
- How fully has this purpose been accomplished?
- How important is this purpose?
- Wholly successful poems contain no excess words
- Word order is the best order for expressing the author's total meaning
- The sound of the poem does not clash with its sense or the form within its content
- The organization of the poem is the best possible organization: images and ideas are so effectively that any rearrangement would be harmful to the poem
- Poems can fail to be excellent if they use...
- Sentimentality- the indulgence in emotion for its own sake, or expression of more emotion that an occasion warrants
- Rhetorical poetry- uses a language more glittering and high-flown that its substance warrants
- Didactic poetry- has a primary purpose to teach or preach
Chapter 16: Evaluating Great Poetry II (Poetic Excellence)
To answer question #3 from the previous chapter...
- Great poetry must be, of course, good poetry
- Great poetry engages the whole person...senses, imagination, emotion, intellect; it does not touch us merely on one or two sides of our nature
The AP Free-Response Grading
High Score (8-9)
High-scoring essays thoroughly address all the tasks of the essay prompt in well-organized responses. The writing demonstrates stylistic sophistication and control over the elements of effective writing, although it is not necessarily faultless. Overall, high-scoring essays present thoroughly developed, intelligent ideas; sound and logical organization; strong evidence; and articulate diction.
- Rhetorical analysis essays demonstrate significant understanding of the passage, its intent, and the rhetorical strategies the author employs.
- Argument essays demonstrate the ability to construct a compelling argument, observing the author's underlying assumptions, (addressing multiple authors in the synthesis essay) and discussing many sides of the issues with appropriate evidence.
Medium-High Score (6-7)
Medium-scoring essays complete the tasks of the essay topic well - they show some insight but usually with less precision and clarity than high-scoring essays. There may be lapses in correct diction or sophisticated language, but the essay is generally well written.
- Rhetorical analysis essays demonstrate sufficient examination of the author's point and the rhetorical strategies he uses to enhance the central idea.
- Argument essays demonstrate the ability to construct an adequate argument, understand the author's point, and discuss its implications with suitable evidence. The synthesis argument will address at least three of the sources.
Medium Score (5)
Essays that earn a medium score complete the essay task, but with no special insights; the analysis lacks depth and merely states the obvious. Frequently, the ideas are predictable and the paragraph development weak. Although the writing conveys the writer's ideas, they are presented simplistically and often contain lapses in diction or syntax.
- Rhetorical analysis essays demonstrate uneven or insufficient understanding of how rhetorical strategies create an author's point. Often, the writer merely lists what he or she observes in the passage instead of analyzing effect.
- Argument essays demonstrate the ability to present an argument, but they frequently provide limited and inadequate discussion, explanation, or evidence for the writer's ideas. The writer may not address enough of the sources in the synthesis essay. Oversimplification of the issue(s) minimizes the essay's effectiveness.
Medium-Low Score (3-4)
These essays are weaker than the 5 score because the writer overlooks or perhaps misreads important ideas in the passage. The student may summarize the passage's ideas instead of analyzing them. Although the writer's ideas are generally understandable, the control of language is often immature.
- Rhetorical analysis essays demonstrate little discussion of rhetorical strategies or incorrect identification and/or analysis of those strategies.
- Argument essays demonstrate little ability to construct an argument. They may not clearly identify the author's point, may not present multiple authors' points of view in the synthesis essay, and may offer little evidence for the student's position.
Low Score (1-2)
These essays demonstrate minimal understanding of the topic or the passage. Perhaps unfinished, these essays offer no analysis of the passage and little or no evidence for the student's ideas. Incorrect assertions may be made about the passage. Stylistically, these essays may show consistent grammatical problems, and sentence structure is usually simple and unimaginative.
- Rhetorical analysis essays demonstrate little ability to identify or analyze rhetorical strategies. Sometimes these essays misread the prompt and replace it with easier tasks, such as paraphrasing the passage or listing some strategies the author uses.
- Argument essays demonstrate little ability to understand the author's point (or multiple authors in the synthesis essay) and then construct an argument that analyzes it. Minimal or nonexistent evidence hurts the essay's effectiveness. Some students may substitute an easier task by presenting tangential or irrelevant ideas, evidence, or explanation.
The notes from the Free-Response grading section were taken from this source:
Barbara V. Swovelin English Language and Composition, 3rd Edition. 31 Oct 2010
<http://www.cliffsnotes.com/Section/id-305363,articleId-31682.html>.
<http://www.cliffsnotes.com/Section/id-305363,articleId-31682.html>.
Pass, very organized and easy to read. Tone, style, and voice could stand for some more detail though, but as long as you understand it it's good.
ReplyDeletePass. I liked your notes for the Perrine book, but in my opinion you went a bit overboard in the Free-response grading system. Just make sure you get the basic ideas of it! :D
ReplyDeletePass -- this is so thorough, nice and organized, though I think I might agree with Liz :)
ReplyDelete